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Jan 25
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BmoreArt
BmoreArt is dedicated to showcasing and reviewing the visual arts in Baltimore.Thursday, January 21, 2010
Recent Works at the John Fonda Gallery Friday, January 29
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Opening Reception: Friday, January 29, 6-8 p.m.
John Fonda Gallery
45 West Preston Street
Baltimore, MD 21201
Located at Theatre Project
Hours: M-F Noon-4 p.m. or by appointment
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Jul 01
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Exhibits — Lorenzo Fonda: A Retrospective
Embassy of Italy - Washington DC - June 2007
(a past event… for the archives) The Embassy of Italy and the Italian Cultural Institute are cosponsoring an exhibition of artwork entitled “Lorenzo Fonda. A Retrospective.” The exhibit will be on display at the Italian Embassy until July 6, 2007. Maestro Fonda was born in Piran, Istria, in the former Yugoslavia in 1947. His family later moved to Trieste. He received a doctoral degree in medicine and surgery in 1976. His first personal show took place at the gallery “La Luna” in Perugia in 1969.
In 1984 Fonda had his first show in the United States at Andreas Galleries, in Washington D.C. His large canvas work “Trittico per la Pace” (1985) was presented to the town of Assisi, and is now permanently exhibited in the Sala della Conciliazione in Assisi’s Town Hall. In 1989, on the occasion of the USA / USSR Summit “Green Glasnost,” organized by actor Robert Redford, in Sundance, Utah, a large work of his became the symbol of that historical encounter. The work is now on display at the Institute for Resource Management. One of Fonda’s works is part of the permanent collection of the Michetti Museum in Francavilla al Mare, Italy. He has worked as set designer for Shakespeare in Jazz, with the direction of Giorgio Albertazzi, and, most recently, for the Teatro dell’Opera of Rome’s production of Richard Strauss Salomé.
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Jun 30
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Ten Things I Have Learned About The Sea
Ten Things I Have Learned About The Sea
Sunday, June 21, 2009 via No ZapItaly – I crossed the Atlantic one a ship a few years ago and after it I knew I wasn’t the same anymore. Director Lorenzo Fonda has also felt the powerful insights that only the ocean can reveal, and in his beautiful short film “Ten Things I Have Learned About The Sea” he details them.
The visuals are stunning – a sort of transcendent combo of nature and the ships man has built to traverse across it. The industrial symmetry and mechanical serenity in the work of photographer Edward Burtynsky.
I also have to give props to Fonda for saying under the film “it is 104 mb, there’s no low res version and it is 10 minutes long. let it load. if you don’t have patience or don’t know me personally, you might not want to watch this.” The confidence of that speaks for itself.
Click here to watch “Ten Things I Have Learned About The Sea.”
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Jun 09
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First Look: Ristorante Al Teatro
This new Pilsen spot is a feast for the eyes, even if the kitchen needs more rehearsal time
Metromix.com May 13, 2009 By M. Kathleen PrattRistorante Al Teatro
Address: 1227 W. 18th St., Chicago, IL, 60608
Phone: 312-784-9100
Hours: 4-10 p.m. Sunday-Thursday; 4-11 p.m. Friday-Saturday
Week-old Pilsen spot Ristorante Al Teatro offers a full bill. There’s food, sure. But chef Maurizio Fonda‘s Italian fare is just part of the show. The other part, the lavish space in which it’s served, is a feast for the eyes.
In the Kitchen at Ristorante Al Teatro
The grand, 200-seat restaurant occupies the ground floor of Thalia Hall, the corner building that lords over the intersection of 18th and Allport Streets. The hall, named for the Greek muse of comedy and idyllic poetry, houses apartments on the upper levels, as well as retail spaces that are still undergoing renovations and an interior theater, the restaurant’s namesake, that’s next in line for restoration. Originally completed about the time of the World’s Columbian Exposition, the building earned city landmark designation nearly a century later, in 1989. But it was abandoned and in disrepair until late 2004, when restoration efforts began.
Though the building is late 19th Century, the ornate interior has been transformed into something almost Baroque. The restaurant has a larger-than-life feel, with four airy rooms spread out over two floors. There’s hardly an inch that’s not gilded, covered in some sort of polished stone or painted with trompe l’oeil curtains and arches. With its beautifully restored tin ceiling, fleur-de-lis patterned upholstery and other generally over-the-top embellishments (did we mention the downstairs waterfall?), there’s nowhere quite like it in the city.
Tucked away in the back of the ground-level dining room are two wood-fired pizza ovens where pizzaiolos toil under the watchful eye of a larger-than-life mural of Thalia herself. In any other restaurant, the brick ovens would be a focal point. Here, they’re just another piece of eye candy vying for your attention. But to overlook them would be a mistake.
Servers ferry the pizzas ($11.95-$14.95) from oven to table in seconds so they arrive still steaming, flame-kissed around the edges with a chewy crust and slightly wet center. As if taking a cue from the decor, the pizza menu covers a lot of ground, listing 20 options, from the house specialty pizza al galletto (roasted dark-meat chicken, sun-dried tomatoes, house-made pesto, goat cheese and mozzarella) to classics such as margherita, quattro fromaggi and pepperoni.
House-made pastas are a solid bet too, with options such as gnocchi al fromaggi ($13.95), soft, chewy pasta pillows in a rich five-cheese sauce, and rustic, mushroom-filled tortelloni alla boscaiola ($14.95).
Starting with our antipasto order-too-briny Mediterranean mussels in a savory white wine, herb and tomato broth-almost everything more nuanced than pizza or pasta went astray. Veal scaloppine ($21.95) was so overpowered by tart lemon juice that we could only manage a couple of bites before puckering up-and eventually giving up. Grigliata di calamari al limon ($14.95) suffered the opposite fate, though not to the same extreme. The grilled calamari had a divine smoky char but lacked the bright citrus notes needed for balance.
Ristorante Al Teatro owner Dominick Geraci also owns Caffe Gelato in Wicker Park, and the artisan gelati ($3.99 to go, $5.95 dine-in), available in two dozen flavors, are every bit as rich and silky as you’d expect. Other desserts, including wonderful house-made, chocolate-dipped cannoli ($7.95), are just as good. Most are available for carryout from the front gelato bar-which is perhaps your best option while Ristorante Al Teatro takes a little more time to rehearse its main act.
M. Kathleen Pratt is the Metromix dining producer. kpratt@tribune.com
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Jun 09
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John Fonda Gallery Presents Nicole Shiflet’s Solo Exhibit 6/4-7/12
Thursday, May 28, 2009 by BWW News Desk
John Fonda Gallery Presents Nicole Shiflet's Solo Exhibit
John Fonda Gallery is please to present Nicole Shiflet’s first solo exhibition at the gallery. Titled Marching for Digits, the show consists of new paintings that explore Nicole’s fascination with interstitial moments that she documents into the fictional narratives of her paintings.
“Shiflet’s paintings are wonderfully playful, yet have an underlying sense of danger,” said Sidney Pink, Curator. “The beauty of her line and forms, mixed with a dark subtle humor, create a world deep with layers.”
Shiflet’s paintings use bright color, simple organics forms, and detailed line work to create rich environments. Her work evokes scientific imagery and yet seems to exist inside fantastical landscapes, as if from a children’s book. She plays with the scale of her subject creating a duel sense of micro and macro.
“Much of my work references a variety of scientific phenomena. I am constantly surprised, awed, and inspired by biological growth, geological topography, and electronic circuits. My work may not reflect the logical processes of these studies but forms its own fictional and abstracted narrative,” said Shiflet.
Nicole Shiflet has exhibited through out the Mid-Atlantic region. She has exhibited at the Wohfarth Gallery in Washington D.C.; the Clayton Street Gallery in Athens, Georgia; and had a solo exhibition at the Creative Alliance in Baltimore. In 2005 she worked on a collaborative art project and exhibition between UMBC and Fachhochschule Schwäbisch Hall in Germany. As both a traditional tactile painter and technological art geek, Nicole Shiflet constantly searches for ways to balance both aspects of her work. Drawing, painting, animation, and sound recording all inspire further exploration into and around each other. She is currently an adjunct professor of digital media at University of Maryland Baltimore County and Anne Arundel Community College. Nicole was born in Wisconsin, grew up in Georgia, and currently resides in Baltimore.
Since 1971, Theatre Project has been providing a distinct cultural experience for the citizens of Baltimore by presenting new, innovative, and diverse works in the arts. John Fonda Gallery located at Theatre Project is committed to exhibiting the work of emerging artists and new work by recognized artists. The gallery is dedicated to presenting diverse programs that make contemporary art accessible to a broad audience.
The John Fonda Gallery at Theatre Project was dedicated on January 14, 1993 to the memory of John Fonda, who served as curator of the gallery and nurtured Baltimore arts and artists.