The Fonda Blog

Christmas On A Budget: What To Do If Your Kid’s Favorite Toy Is Sold Out

If you’ve seen the film Jingle All The Way with Arnold Schwarzenegger then you know that this can become an emotionally charged and very vexing problem. What you don’t know is that there are simple solutions that leave everybody cool and collected.

By: WordCraft Club

WEST PALM BEACH, Fla. – Nov. 10, 2024 – PRLog — Pat Fonda, author of titles like Supercommunicator Spouses, Storyteller Mom/Dad and Gaming Addiction In Children is pleased to announce an important update to her Kindle book, Merry Little Christmas On A Budget: Give Kids And Loved Ones Memorable Holidays Without Running On Empty Emotionally Or Financially.

A new chapter has been added that helps parents and gift-givers, who may find themselves in the same quandary as Arnold Schwarzenegger’s character in Jingle All The Way, worm themselves out of the fix – without the toy, it has to be said; but they will enjoy the respect and admiration of their kids for being resourceful… and living up to their promises!

“It’s hard to disappoint a child when they have their heart set on something,” says Pat Fonda. “And this is where parents get ensnared. They forget that a kid’s desires are extremely malleable – the younger, the more malleable!”

If you’ve been with kids 3-7 years or so in an ice-cream joint, maybe you can relate: one second she was sure she’ll take the pink scone with frothy white top, and the next few seconds she shouts out, “No; I’ll take the white scone with the frothy pink top!”

Don’t take this literally – but we guess you get the point.

Lean more here: https://www.patfonda.com/2024/11/merry-little-xmas-on-budget-concise.html

The thing is, according to Pat Fonda: “It’s us the adults who make Christmas hard, not the other way around.”

This new chapter will show parents and gift-givers that they have options – seven to be exact – how to find wiggle-room without hurting your child’s feelings, or ending the kid’s expectations; or their respect for you; or their trust that you’ll make good on your promises!

With the Christmas shopping frenzy just beginning to heat up parents and gift-givers can save money – and still give their kids great gifts and great holidays – without running on empty emotionally or financially.

Pat Fonda offers a full range of solutions to help you raise happy, resilient kids and robust families over at her website: https://www.patfonda.com

Contact
WordCraft Club
***@patfonda.com

written by admin \\ tags: Achievements, Literary

20 years of the School for Curatorial Studies Venice

Interview with Aurora Fonda of the School for Curatorial Studies Venice
by Alessandra Galletta

More than a school for curators, it is now a cultural institution frequented by young people from all over the world who want to participate in the art of exhibiting art. He turns twenty years old School for Curatorial Studies Venice founded by Aurora Fonda and Sandro Pignotti in 2004 in Venice with the aim of creating an open laboratory for the visual arts and for all professions related to contemporary art. The Summer School has also been active since 2015, bringing together participants from all over the world. We retraced 20 years of training with Aurora Fonda in this interview.

Since 2003 you have been the director of the AplusA gallery in Venice, and only a year later you had the idea of ​​founding a curators’ school from scratch. Lack of available professional figures, or desire to implement a new teaching of contemporary art?
It can be said that this need was born in the field, in carrying out my role as director of the gallery, in particular since it is the official home of the Slovenian Pavilion on the occasion of the Biennale. When a gallery transforms into a national pavilion, interesting positions open up for interns, trainees and students who want to experience working in the field.

Offer them an opportunity to learn and have direct discussion with the hot topics of curation, exhibition design, communication…
The boys were all very active, proactive and willing, and complained about the fact that their university studies did not include the practical experiences that would certainly have complemented the theoretical lessons. I felt the sense of their lack, and I thought about how to contribute to the training of future international curators. The more contemporary art can count on trained spokespersons, the stronger and clearer its message will arrive.

Where did you start?
Once I realized that in 2004 there were no real courses for curators in Italy – with the exception of a small one in Florence – and that no public institution was offering them, I thought that structuring a real curator course should be born in the private sector.
We started with a first three-week edition which was immediately a great success. The participation was so numerous that we immediately organized a second edition and since then the number of students has always grown.

What aspects of curating do you pay most attention to, what are your privileged experiences?
Already from the first edition of the course it was clear to me that the children not only did not foresee a direct relationship with the artists, but they struggled to find a way of relating with them, because they were unfamiliar with artist studies and consequently with their practice. For my training, however, this is a fundamental aspect, both for the profession of curator and for personal enrichment.

So it can be said that the first supporters of the school were the artists themselves?
Not only that, even later. We started inviting artists and organizing a full calendar of visits to their studios; in this way the program was lengthened from time to time, as we added lessons, meetings, workshops… Fueling the activities in direct collaboration with the artists has definitely made our school grow.

Has the demand from foreign students also grown over time?
Yes, a lot, and to deal with this demand in a more structured way, since 2015 we have activated the Summer school, a program in English aimed at international students which brings together people from all parts of the world. While with the pandemic we began to offer online courses, which instead of limiting moments of dialogue, discussion and discussion on topics, have contributed to strengthening that sense of community, where everyone feels part of a project.

Another strong point of the school is that a lot of theory is studied… but at a certain point it must be put into practice
After understanding the complex concept of “exhibition”, thanks to the fundamental contribution of the teachers, students are asked to discuss and develop the creation of an exhibition concept. Once the methods and motivations have been approved – expressed in a project already developed at a professional level – we proceed with the choice of the artists, the selection of the works and all the organizational phases are gradually carried out, from transport and insurance up to the preparation of the exhibition and its correct communication.

(continued on webpage)

Also see:

https://www.linkedin.com/in/aurora-fonda-20965821

https://www.curatorialstudiesveniceonline.com/the-tutors-i-docenti/aurora-fonda

 

 

written by admin \\ tags: Achievements, Arts, Europe

Bob and Jen take a class at Nuesole Glassworks

by Bob Herzog and Jen Dalton, WKRCMon, May 6th 2024

CINCINNATI (WKRC) – We like to keep things classy but today we are going to keep things glassy.

“One of the first things I talk to people blowing glass is that you will learn a lot of patience. It’s going to be really frustrating, those pieces often hit the ground,” said Ali Fonda.

Fonda is just one of the teachers at Nuesole Glassworks.

She says it can take years to master the art of glass blowing but no need to worry, if you come in as a beginner, she has you covered.

“We do all of the really complicated things until you really come and do it for a while.”

After a quick lesson, they are actually going to let us try our hand at glass blowing.

We are going to be making something called a witches ball, or a fairy orb.

With that we were ready to get to work, and of course safety first.

The gas powered furnaces clock in at more than a thousand degrees Fahrenheit.

We put on our protective equipment while Ali gathered a ball of molten glass on a long metal pipe.

The next step in this process is to create a perfect sphere.

Bob tapped away, providing the hot air as usual.

And while that was happening, Ali and Jen used a wooden tool that was soaked in cool water to create the sphere.

This is where the fun really started. With a sharp tool we stabbed holes in our sun catcher.

Ali told us to trust the process and that this would make the final design extra special. Not going to lie, this was a little violent.

After the stabbing was done, Ali took a blow torch to the orb and with one crack, our creation was freed from the metal pole and ready to go into a kiln where it would harden.

written by admin \\ tags: Achievements, Arts, Midwest

Historic home of artist Leonard Ochtman for sale in Connecticut

By Jennifer Gould – New York Post – December 2, 2020

When famed Dutch-American landscape artist Leonard Ochtman moved to Connecticut in 1891 with his wife — Mina Fonda Ochtman, an accomplished American Impressionist painter in her own right — they built a house in Cos Cob and dubbed it Grayledge.

Now on the market for $1.4 million, the five-bedroom home at 35 Mianus View Terrace is where the couple became founding members of the Cos Cob Art Colony (whose famed members included Willa Cather and which helped launch NYC’s iconic Armory Show) and held classes for young artists boarding at the nearby Bush-Holley House.

The Ochtmans would also go on to become founding members of the Greenwich Society of Artists, where Leonard served as president.

Original details in the home, which was renovated in 2010, include the hardwood floors, the staircase and the solarium.

written by admin \\ tags: Arts, New England, Notables

Jihadi Jane

Personal Liberty, Posted on June 17, 2015 by John Myers

Actress Jane Fonda is still raking in money despite the fact she has been ridden hard and put away wet. The 77-year-old is now featured in the Netflix comedy “Grace and Frankie” — the very same Hanoi Jane who was making the lives worse for Americans fighting for their life in the jungles of Vietnam 45 years ago.

Last Saturday, Fonda was not far from my neck of the woods. She spoke in Vancouver, Canada, at a Greenpeace Canada rally, Toast the Coast. It was launched to demonstrate against oil sands development, tanker traffic and future Arctic oil drilling.

Fonda said: “I feel totally committed with every ounce of my being to stopping Big Oil from doing what they’re doing — both drilling in the Arctic and piping tar sand oil across the land into this coast, which is so pristine.”

I cannot figure out Fonda’s economic platform. But it seems to highlight North American energy insecurity, future gas lines and sky-high oil prices that will be dictated by the Middle East oil producers, like Saudi Arabia, which quietly finance the world’s worst jihadists. It is only logical because shutting down Arctic exploration and stopping the transportation of Canadian oil along the West Coast would be dangerous geopolitically for the United States and would throw the county further toward energy instability while creating a massive recession for energy workers.

In her 1995 book “My Life So Far,” Fonda complained about ex-husbands Ted Turner and Roger Vadim. She wrote that Vadim dominated her and made her have threesomes with him and other women. All this suffering, and today she is down to her last $120 million. I doubt Fonda has ever been worth much less than $5 million and has lived only in mansions and driven only gas-guzzlers. I’ll bet she doesn’t have the least understanding what Americans need in a job.

Fonda never had to worry whether her famous actor father was going to make enough money to keep the family going. I am certain that as she marches toward age 80 while continuing her social protests, she has zero understanding of how critical North American oil is to the United States as a nation and to the people who need those jobs.

Green Jane is still the one and same Hanoi Jane who made radio broadcasts to discourage drafted American GI’s, who were already hurting and fighting in a war just to stay alive. Yet she was a willing, attractive and, some may even say, convincing actress in her peacenik patronage of North Vietnam, including having her picture taken manning an anti-aircraft battery whose sole purpose was to shoot down American flyers.

Mr. Conservative stated:

What Jane Fonda did was traitorous. In fact, it’s a shame that she that she got away with committing treason because it made some of her fellow travelers on the Left realize that there is no price to be paid for encouraging people to hate their own country.

Unfortunately for Fonda, there are still a lot of Americans who love their country and they haven’t forgotten or forgiven her for betraying it.

So, periodically, Fonda gives insincere apologies for her despicable actions.

Here’s the latest one that she gave to Oprah Winfrey.

“I made one unforgivable mistake when I was in North Vietnam, and I will go to my grave with this. I don’t know if I was set up or not,” she said. “I was an adult. I take responsibility for my actions. And I was laughing and clapping, and there were pictures taken.”

She was “laughing and clapping” while Americans were dying. She was “laughing and clapping” while Americans were rotting away in POW camps. She was “laughing and clapping” with her new pals who she knew were torturing American soldiers.
Given the fight Fonda now has against North American oil discovery and transportation, she has once again aided and abetted the enemy: Islamic oil producers.

And while President Barack Obama may insist that Saudi Arabia is one of America’s closest allies, he and his fervent liberal and ultra-rich followers should pay attention to the fact that high-ranking members in the Saudi government carried out 9/11 with Saudi agents. But 14 years later, Saudi Arabia still dictates the price of world crude oil.

With oil prices just over half of what they fetched a year ago, domestic oil discovery, production and transportation industries are in a depression. Poor families up and down the west coast are trying desperately to hang on to jobs in an industry that was expected to be a major power source to the United States for the next several decades.

It seems Jihadi Jane neither understands how her actions are viewed by the enemy (major Muslim oil exporters, some of whose core members want to see the destruction of the United States) nor how these anti-jobs protests impact hundreds of thousands of North American families.

That North American oil can be competitively and safely produced doesn’t seem to be a thought that runs through Fonda’s head. Nor does she seem to understand that people’s biggest problems aren’t orgies and drug parties with former husbands but rather just keeping food on the table for the kids and a furnace going.

Fonda will never admit she doesn’t understand the working class — just as another pro-feminist, anti-Vietnam war female contemporary will never make that admission: Hillary Clinton, who is making her second bid for the U.S. presidency.

While Fonda was spending her time on the west coast Friday protesting oil, Clinton was launching her campaign across the country on New York City’s Roosevelt Island. She spoke to the audience about how she knew of tough times because her parents went through the Great Depression. Fonda knows how hard it was just to stay alive during the Dust Bowl because her father gave an outstanding performance in the much acclaimed 1940 movie “The Grapes of Wrath.”

Over the years, my dad told me how at 12 he was driving a wagon team with a team of eight horses across the prairie, sometimes to be caught up in a winter blizzard or deterred by a lame horse. His stories made me shiver. But despite the fact he had done it, I didn’t have the slightest clue as to how such an endeavor would even begin.

Fonda seems to believe that playing a starring role in the movie “The China Syndrome” makes her an expert on energy policy. Another aged hippie, Clinton, told us that same day that she understands tough times for the working class because her parents went through the Depression. I guarantee neither have faced tough times nor were worried where their next meal was coming from.

Clinton may do far more damage to the country if elected president, but both women make promises that they have no intention of keeping. The winner for tease of the month is Fonda for what she told The Vancouver Sun:

If I have to tie myself to some rig or if I have to lie down in front of a truck, I’ll do it. I’ve lived a good life. I’m willing to do that.
I, too, am willing for her to do the right thing rather than flying around the world in Gulfstream private jets, protesting the very crude oil that keeps her aloft. And as far as I am concerned, it wouldn’t do any great harm to America for Fonda to take Clinton down with her.

Yours in good times and bad,

–John Myers

written by admin \\ tags: Achievements, Fonda Family, Hollywood