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Oct 22
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Recycling is Fun…
Posted on October 12, 2011 by BagsRevolt
I had the immense pleasure to meet the founder of Recycling is Fun, Sara Fonda, who has been actively spreading this important message for thirty eight years now. I was obviously interested in visiting their shop, since I was warned it had more than 3000 samples of creative projects to get inspired with.
Recycling is Fun is a Non for Profit Organization which aims to promote crafts as a means of improving well-being. “ Craft relieves stress and boredom, bringing purpose to life, improving self esteem and creating a sense of fulfillment and achievement.”
They work with councils and community groups through out Victoria. One of their projects is the “Home-bound” ready made kits which include materials, patterns, projects and instructions for a wide variety of crafts, tailored to the abilities of the person. It gives the opportunity for a social worker, carer, relative or friend to bring dignity and meaning to people who are unable to or do not want to leave their homes.
Anyone interested is welcomed to make an appointment to their showroom at 66 Punt Rd, Windsor in Melbourne. There you can view hundreds of exciting, fun and enjoyable projects created from recycled household waste. The materials are beautifully organized by types, themes as well as levels of difficulty and are given at NO COST!
This visit has helped me broaden my view on the importance of Recycling. I had previously concentrated mainly on the environmental aspect of it and not so much on the social side of it. From an individual point of view, making something with your hands, expressing yourself in new ways, creatively, while recycling, gives enormous satisfaction. I have been experiencing this in my life for some time now. What is completely new to me is realizing that crafting is a powerful tool to connect with others as well as to make someone´s life a bit more happy!
I was lucky enough to experience this first hand at the workshop abandoned sock characters creation at the Eco Center. I went to help Chloe Farmer who was giving the workshop, and also to learn since I had never myself used socks to create characters. What a huge surprise I got when the participants arrived: 9 older men with disabilities. Most of them had never even sewn before, but the workshop was awesome! It felt great to help them out with simple things like treading their needles. The end products were all beautiful! The most rewarding part were the huge smile on their faces and the laughs we had together. Here is a picture of one of these little creatures created from a lost sock and other materials that Chloe got from Recycling is Fun for this workshop.
Recycling is fun for everyone, even men!
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Oct 15
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PCA’s ‘The Miracle Worker’ communicates Helen Keller’s amazing story
By Scott Orr, The Daily Courier – 10/11/2011
PRESCOTT – To see “The Miracle Worker” performed live at the Prescott Center for the Performing Arts is to simultaneously suspend disbelief and realize what an effort it is to stage this very physical play effectively.
And it is effective. For anyone who has never seen the film or the play, “The Miracle Worker” tells the true story of Helen Keller, a young deaf and blind girl, and her teacher, Annie Sullivan. The story is set in the period immediately following the Civil War, when such children were sometimes believed to be uncontrollable and placed in asylums.
Annie (Joanne Robertson, right) and Helen (Carly Fonda, left) have a breakthrough in communication with the help of a doll.
Helen, played by 10-year-old Carly Fonda, is indeed uncontrollable as the play opens. Fonda, acting in a role that has no dialogue, yet sees her on stage for nearly all of the show’s two hours, gives a nuanced performance. “I have learned that you can (convey) words through your facial expressions,” she said.
The role requires violent behavior: Helen slaps, kicks and bites people, throws silverware, breaks dishes, and wreaks all manner of other destruction whenever she fails to get her way. Annie (Joanne Robertson) gives as good as she gets, although Robertson said playing the part required a little extra help. “It’s very physical,” she said. “I’m wearing kneepads and I have bruises all over.”
Supporting actor Justus Burkitt as Helen’s half-brother, James, steals nearly every scene he’s in, cracking pointed jokes and delivering sarcastic comments to Annie and his father, Captain Keller (Kevin Nissen). He acts as the comic relief in an otherwise very intense show, but his appearances never seem forced or extraneous.
Helen (Carly Fonda) acts up at the breakfast table while Annie (Joanne Robertson) assesses the situation in the Prescott Center for the Arts' production of "The Miracle Worker." Callaghan Howard, Kevin Nissen, Karla Burkitt, Lois Fazio and Justus Burkitt co-star.
The show is directed by Catherine Miller Hahn; this is her 60th production. She said it was not easy to stage. “This one is very difficult. There’s lots of pieces to it, lots of scenes, lots of places,” she said. Because of the nature of the theatre (it is a converted church), plays like this one, with multiple sets, require some unusual techniques and staging. “In our theater, we don’t have flies (cables to a tall ceiling) to take things up or down, so you have to figure out a way to move and weave it all,” Hahn said.
The set design takes advantage of the open space above the stage, allowing the upstairs spare bedroom in which Annie writes her diary entries to literally be upstairs, above the rest of the house. As usual for this theater, there are unavoidable viewblocks presented by the structural pillars of the church which stand at the front of the stage. It is surprising how frequently these relatively small obstructions block parts of the action at times.
If you know the story or have seen the film, you know how it ends. This production also includes a touching “extra” after the end of the play itself.
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Sep 11
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Pop-up phenomenon: Here this week, gone the next
By Sarah Gish, The Kansas City Star – Mon, Aug. 22, 2011
(..)
Port Fonda — a cross between a food truck and a mobile restaurant — has since become one of the city’s hottest foodie destinations. On Friday and Saturday nights, Ryan parks it in a lot at 20th and Main streets and starts selling $3 tacos out the window. The chef also accepts reservations from customers who want to dine at the cozy table inside Port Fonda. A four-course meal for six people costs $250.
“We started joking when we opened, telling people this is the hardest table to get in Kansas City,” Ryan says. Now that might be true: Reservations are booked through September, and Ryan won’t even accept reservations for October until Sept. 1.
Port Fonda embodies planned spontaneity: It’s parked at the same location every Friday and Saturday, but because it’s a food truck, eating there feels spur-of-the-moment.
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Port Fonda Food Truck
Written By: Around the Block – June 05, 2011
Wow. What a treat. I stopped by the Port Fonda food truck last Saturday afternoon to sample chef/owner Patrick Ryan’s Mexican fare, cooked to order at the truck’s stove. I had been reading for months about Ryan’s project, a retrofitted airstream trailer. And this is not any old trailer. The interior is wrapped with gorgeous wood and has a chef’s table to match (more on that below.)
The truck is only open on weekend nights, with the exception of Saturday afternoons when you can usually find Port Fonda in the Rieger Hotel Exchange and Grill parking lot for about a 14 hour stretch. During the day the menu is limited to a few items, but when evening comes another handful of offerings take shape in the kitchen, ranging from tacos to tortas (Mexican sandwiches.) With our ever-increasing reliance on social media, the best way to discover where the truck will be parked and what will be on the menu is to follow Port Fonda on Facebook or Twitter.
I had the great fortune of going to Port Fonda on a day when they were serving chilaquiles– tortillas layered with a tomatillo/habanero sauce and chorizo verde, and topped with a fried egg. I’m a big fan of Frontera Grill in Chicago, and when I heard Ryan used to work there, I knew this was going to be good. Even with high expectations, it blew me away. I haven’t been this excited about a dish since I first had a pizza at Pizza Bella and dreamt about it that night.
Ryan nailed the salsa. It sang with the roasted flavor of the chiles and had a marvelous kick to it. The tortillas had been softened by the sauce but weren’t soggy, as tends to happen if the dish is allowed to cook too long. And the egg was perfectly cooked, its runny yolk melding with the other ingredients to complete the happiness in my mouth. The pozole was also authentically prepared. Red chile base, chunks of hominy, topped with radish and lime. A hearty and warm soup for a chilly, dreary day.
I wanted to try a taco and the only one they were serving that day had a tripe filling. For those unfamiliar with tripe, it’s part of a cow’s or pig’s stomach and is the main ingredient in a traditional Mexican soup called Menudo. Not a fan of Menudo, I was not overly enthused, but I ordered it anyway. It came in crisp strips and had I not been acutely aware of what I was eating, I may have mistaken it for meat. It was simply garnished, as are most street tacos, with pickled onions and just a touch of sauce. Not my favorite taco ever, but worth sampling.
Within the truck is a cozy table for 6, with a U-shaped banquette. The dining room (known as el comedor) is available by reservation only on weekend nights. Ryan is offering a 3 course meal centered around a pork shoulder and served with all the fixings to roll up in tortillas. I’m excited for that experience– based on my initial visit to Port Fonda, it should be a blast.
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Also see: Port Fonda, KC Magazine, Eldo Recommends, Yelp, Fonda History
More Updates: Patrick Ryan is ready to get rolling with Port Fonda in Westport (June 18, 2012)
Mexican restaurant Port Fonda now has a home in Westport (June 18, 2012)
Port Fonda Restaurant Set to Open Tuesday, June 26 (June 18, 2012)
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Sep 11
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Student finds his soundtrack to success
The past few weeks of Grant Fonda’s life would not make for a very stirring motion picture.
Although Fonda participated in an international contest that tested his skill and resolve, there was no final scene of victory, only quiet affirmations. No triumphant hoisting of a trophy over his weary head, only subtler moments to be cherished and worthwhile lessons to be tucked away for a future date.
University of Missouri graduate student Grant Fonda recently traveled to Poland to compete in the Transatlantyk Instant Composition Contest.
The graduate student at the University of Missouri School of Music traveled to Poland earlier this month to compete in the Transatlantyk Instant Composition Contest, a compositional pressure cooker that tested his ability to write emotive music for motion pictures. Although Fonda did not achieve a level of glory worthy of having his own tale captured on celluloid, he came home with a better understanding of what it means to be part of the film industry.
Fonda applied to the competition — founded by Oscar-winning composer Jan Kaczmarek (“Finding Neverland”) — almost as an afterthought, engaging the process between finishing a commission and heading to his native California for vacation. In addition to submitting previously composed works, he was required to score two short film clips that were distinct but equally daunting. The first, a climactic scene from the 2009 film “Get Low,” included a stirring soliloquy from Oscar winner Robert Duvall; it was an “intense” and “delicate” moment with dialogue that needed to be preserved, not drowned out, he said. The second was from a “bizarre” French cartoon in which a young girl, among other things, falls into a bowl of alphabet soup and is attacked by zombies.
For the Duvall clip, he evoked themes of mystery and absolution through the use of unresolved dissonances, inverted chords and pedal tones; Fonda balanced “menacing” and “childlike” themes for the latter. For his work, he was selected as one of 30 participants, which meant trekking to Poland, watching a short film, and composing and performing an accompaniment before a panel of American and Polish judges on the spot.
Fonda was shown a five-plus-minute piece called “Walking,” produced by a Canadian travel commission decades ago; the work was bizarre and psychedelic, with no discernible plot or dialogue, he said. Immediately upon leaving the screening room, he sat at the piano and performed his level best. His strategy: attach a winning theme to the film’s central character and balance out its more extreme elements with a relatively accessible, melodic score. Ultimately, Fonda did not take his place among the 10 finalists. He received praise from the American panelists but was told the European judges wished he’d taken more risks; other contestants incorporated elements of prepared piano or relied on a more serial, clustered set of tones.
Although Fonda did not advance in the competition, his compositional sensibilities were advanced by encouraging, “invaluable” interactions with the likes of composers Christopher Young (“Spider-Man 3,” “The Grudge”), George S. Clinton (the “Austin Powers” films), Bruno Louchouarn (“Total Recall”) and producer Roy Conli (“Tangled,” “The Hunchback of Notre Dame”); these professionals offered lessons on life and art in master classes and specific feedback in personal conversations.
Among the comments Fonda received were praiseworthy pronouncements on his ability to convey mood and character and his capacity to musically captain viewers through a spectrum of emotions in a short period of time. Clinton remarked on his remarkable capacity for suggesting and creating color through orchestration. Additionally, he was told he had a fitting temperament for composition and was encouraged to stand up for his abilities, even while avoiding walking on others in collaboration. Ultimately, he was deeply encouraged by Young’s comments on the relationship between a composer’s maturity and the potency of his or her music.
“He said, ‘You’re not going to be able to evoke the right emotion for a romantic scene if you’ve never been married,’ ” Fonda recalled. “ ‘You’re not going to be able to evoke the right emotion for a funeral if you’ve never witnessed somebody close to you die.’ He said there’s just a certain advantage that being older in the industry has than being younger. … All this time I had been thinking,” as someone who’s closer to 30 than 20, “I’d missed my stride.”
Fonda said he’s likely to reapply next year — this year’s contest might not have provided a feel-good movie ending, but, as he exercises his talent and applies messages received an ocean away, there’s little doubt a sequel is in the works.
Reach Aarik Danielsen at 573-815-1731 or e-mail ajdanielsen@columbiatribune.com.
Copyright 2011 Columbia Tribune. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
This article was published on page C2 of the Sunday, August 28, 2011 edition of The Columbia Daily Tribune.
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Mar 22
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Fonda buildings become history
Written By: Michelle Monroe
ST. ALBANS CITY — The buildings at former Fonda paper products plant site have been taken down and now meticulous cleanup work will begin, according to St. Albans City Director of Planning Chip Sawyer. “It’s coming along really well,” said Sawyer of the demolition that’s taking place on Lower Newton Street.
Only a small structure, outfitted with hoppers remained at the site this morning and those soon will be taken down with a crane. Materials from that portion of the complex will then undergo asbestos abatement and any recyclable metal will be reclaimed. Thus far, 1,160 tons of general debris have been removed from the site along with 65 tons of mildly contaminated debris, Sawyer reported this morning.
There are a couple of areas within the former factory where there is a high level of PCBs – a class of chemicals which have been linked to cancer – and those areas will be sealed off and permanently fenced, explained Sawyer. Currently, the pieces of the buildings are still being sorted through and cleaned. Recyclable materials are being gathered and recycled as part of that process, as well.
About a month of work remains, said Sawyer today. The basement will be filled in and all of the cleaning areas and materials will need to be dismantled and cleaned. As part of the demolition, steps have been taken to insure water does not leave the site and stormwater is being treated on site before being sent to the wastewater treatment facility. Funds for the demolition project have come from the State of Vermont and the Northwest Regional Planning brownfield’s loan program. Total cost of the demolition, which began on Sept. 15, is roughly $900,000.
The paper products factory was built in 1942 and was acquired by Fonda in 1980. In 2002, about 245 people were employed at the plant, which was sold to Solo in 2004. A year later Solo announced its intention to close the factory, and the doors were shut for good in 2006. When Solo announced the closing there were 168 employees. In some local families multiple generations have been employed at the plant. The site, which straddles the town-city divide, is now owned by the city.
The future of the site is still undecided, but a feasibility study for a co-generation facility found that a facility generating 10 megawatts of electricity along with steam heat — fueled by wood chips — would be able to pay for itself in approximately seven years. The city is investigating the possibility of a private company building such a facility at the Fonda site.
Clock ticks for Fonda building
Written By: Leon Thompson, St. Albans Messenger
Demolition bids’ deadline Tuesday
The Fonda Solo Building will be demolished this summer.
ST. ALBANS CITY, VT –– Crews responsible for demolition of the vacant Fonda/Solo plant on Lower Newton Street could be mobilized and ready by May 1, according to one of the city’s development leaders. Contractors’ bids to raze one of the largest enclosed spaces in the city, are due at City Hall Tuesday. Jim Tischler, planning and development director, told aldermen during their regular meeting last week that he hopes to have a contractor’s bid to them by the second week of April.
The city has secured all funding necessary for the $600,000 demolition project, including two grants totaling $400,000 from the Environmental Protection Agency (EPA) and $200,000 from a state brownfields program.
The city purchased the 120,500-square-foot building on a 4.5-acre parcel in 2007 for $300,000. Toward the end of 2010, the state approved a phased-in mitigation plan to clean the contaminated site, once used to manufacture paper products. The first phase calls for demolition of the two buildings and to keep the area protected until the city has a development project in place. “It was the administration’s position that the best way to show the community that the project needs to move forward is to proceed with the use of that grant money and get the buildings demolished,” Tischler told the city council last week.
The Fonda / Solo brand lives on, with headquarters in Illinois and manufacturing worldwide.
Two weeks ago, about 65 people – more than has graced the inside of the plant for years – went on a walk-through of the site for potential bidders. Tischler said the city has already received 24 sets of plans from bidders all over New England and the Midwest. Ward 5 Alderman Joe Luneau wondered $600,000 was adequate. Tischler said demolition could come in under bid. Project specifications also require the city to recycle some materials at the site. During demolition, workers will fence off the area and post signs that warn of contamination in the area. Contaminated areas will be covered with gravel for protection. The winning contractor will provide flaggers for traffic control and also remove debris without going through neighborhoods, Tischler said.
Last November, the city council unanimously chose Weston and Sampson, a Peabody, Mass., environmental consulting firm, to oversee razing of the Fonda/Solo plant. Weston and Sampson also facilitated the bidding process for demolition. During the demolition process, the city has been working with three EPA officials, the Department of Environmental Conservation, the Vermont Agency of Commerce and Community Development and the Northwest Regional Planning Commission. The city had wanted to raze the building by the end of 2010, but delays bumped that goal to this July, the end of the current fiscal year. The city has a redevelopment concept in mind for the site, with several contenders interested in it, but city officials have been reticent in releasing any details.
The Solo Cup Company, which purchased the paper products manufacturing plant from Fonda, closed the facility in 2005 and laid-off 168 employees. The proposed remediation would occur at the surface level, with sub-grade remediation (soil clean-up) occurring once a new business has committed to the site, so that remediation and construction can happen simultaneously. Brownfields testing in 2008 revealed contamination by polychlorinated biphenyls (PCBs), trichloroethene (TCE), and some metals were in concentrations above regulatory limits.
In the 1960s and 1970s Fonda was a leading U.S. food container company that provided paper cups and other paper products which among other uses, were found at large professional sports venues. The ink used to manufacture other products contained PCBs – potentially toxic environmental compounds – and was spilled on the concrete floor, leaving it contaminated. Groundwater on the western side of the building also contained TCE, a cleaning solvent that previously was used in anesthesia.
Also see previous post here. Solo Cup Company info here.
Note: It is not certain why the company originally took the Fonda name, but there is a family branch which settled in the area in the mid-1800’s and a local town used to be called Fonda Junction.