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Jun 30
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McCotter’s Lake Anna Guide Service
Sunday, June 21, 2009June 19 – Topwater Fun!
Chris Craft, Eric Fonda (center) and Chris
Mineral, VA – Here how Chris Craft’s morning went recently with some special clients….
This morning I met Eric Fonda and Chris at 5:30am. Chris is another one of the guys in Eric’s program. Eric works with special needs people. We started throwing top water and hooked up pretty quick. The first fish of the day was a nice four pounder. Chris caught the second fish on a popper and that was a funny one. He cast up and into a small tree, the popper fell to the water and I was on my way to retreive the bait…. that is when the fish ate it. We landed the fish and he measured up. The top water bite lasted about four hours and then it was time for shakey heads. Chris was throwing a Bandit 100 series crankbait and was catching everything in the lake. He caught four different species. Bass, striper, shellcracker and white perch! By the end of the day we put 16 fish in the boat and lost five. Not bad for a lake that a lot of people still refer to as “The Dead Sea” or “One Fish Anna”. LKA in the summer time can be outstanding, you just have to give her a chance!
Blogger update: Eric Fonda fished a tournament after fishing with MLAGS Associate Guide Chris Craft and Fonda won with just over 12 pounds! Good work guys.
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Jun 09
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First Look: Ristorante Al Teatro
This new Pilsen spot is a feast for the eyes, even if the kitchen needs more rehearsal time
Metromix.com May 13, 2009 By M. Kathleen PrattRistorante Al Teatro
Address: 1227 W. 18th St., Chicago, IL, 60608
Phone: 312-784-9100
Hours: 4-10 p.m. Sunday-Thursday; 4-11 p.m. Friday-Saturday
Week-old Pilsen spot Ristorante Al Teatro offers a full bill. There’s food, sure. But chef Maurizio Fonda‘s Italian fare is just part of the show. The other part, the lavish space in which it’s served, is a feast for the eyes.
In the Kitchen at Ristorante Al Teatro
The grand, 200-seat restaurant occupies the ground floor of Thalia Hall, the corner building that lords over the intersection of 18th and Allport Streets. The hall, named for the Greek muse of comedy and idyllic poetry, houses apartments on the upper levels, as well as retail spaces that are still undergoing renovations and an interior theater, the restaurant’s namesake, that’s next in line for restoration. Originally completed about the time of the World’s Columbian Exposition, the building earned city landmark designation nearly a century later, in 1989. But it was abandoned and in disrepair until late 2004, when restoration efforts began.
Though the building is late 19th Century, the ornate interior has been transformed into something almost Baroque. The restaurant has a larger-than-life feel, with four airy rooms spread out over two floors. There’s hardly an inch that’s not gilded, covered in some sort of polished stone or painted with trompe l’oeil curtains and arches. With its beautifully restored tin ceiling, fleur-de-lis patterned upholstery and other generally over-the-top embellishments (did we mention the downstairs waterfall?), there’s nowhere quite like it in the city.
Tucked away in the back of the ground-level dining room are two wood-fired pizza ovens where pizzaiolos toil under the watchful eye of a larger-than-life mural of Thalia herself. In any other restaurant, the brick ovens would be a focal point. Here, they’re just another piece of eye candy vying for your attention. But to overlook them would be a mistake.
Servers ferry the pizzas ($11.95-$14.95) from oven to table in seconds so they arrive still steaming, flame-kissed around the edges with a chewy crust and slightly wet center. As if taking a cue from the decor, the pizza menu covers a lot of ground, listing 20 options, from the house specialty pizza al galletto (roasted dark-meat chicken, sun-dried tomatoes, house-made pesto, goat cheese and mozzarella) to classics such as margherita, quattro fromaggi and pepperoni.
House-made pastas are a solid bet too, with options such as gnocchi al fromaggi ($13.95), soft, chewy pasta pillows in a rich five-cheese sauce, and rustic, mushroom-filled tortelloni alla boscaiola ($14.95).
Starting with our antipasto order-too-briny Mediterranean mussels in a savory white wine, herb and tomato broth-almost everything more nuanced than pizza or pasta went astray. Veal scaloppine ($21.95) was so overpowered by tart lemon juice that we could only manage a couple of bites before puckering up-and eventually giving up. Grigliata di calamari al limon ($14.95) suffered the opposite fate, though not to the same extreme. The grilled calamari had a divine smoky char but lacked the bright citrus notes needed for balance.
Ristorante Al Teatro owner Dominick Geraci also owns Caffe Gelato in Wicker Park, and the artisan gelati ($3.99 to go, $5.95 dine-in), available in two dozen flavors, are every bit as rich and silky as you’d expect. Other desserts, including wonderful house-made, chocolate-dipped cannoli ($7.95), are just as good. Most are available for carryout from the front gelato bar-which is perhaps your best option while Ristorante Al Teatro takes a little more time to rehearse its main act.
M. Kathleen Pratt is the Metromix dining producer. kpratt@tribune.com
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Jun 09
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John Fonda Gallery Presents Nicole Shiflet’s Solo Exhibit 6/4-7/12
Thursday, May 28, 2009 by BWW News Desk
John Fonda Gallery Presents Nicole Shiflet's Solo Exhibit
John Fonda Gallery is please to present Nicole Shiflet’s first solo exhibition at the gallery. Titled Marching for Digits, the show consists of new paintings that explore Nicole’s fascination with interstitial moments that she documents into the fictional narratives of her paintings.
“Shiflet’s paintings are wonderfully playful, yet have an underlying sense of danger,” said Sidney Pink, Curator. “The beauty of her line and forms, mixed with a dark subtle humor, create a world deep with layers.”
Shiflet’s paintings use bright color, simple organics forms, and detailed line work to create rich environments. Her work evokes scientific imagery and yet seems to exist inside fantastical landscapes, as if from a children’s book. She plays with the scale of her subject creating a duel sense of micro and macro.
“Much of my work references a variety of scientific phenomena. I am constantly surprised, awed, and inspired by biological growth, geological topography, and electronic circuits. My work may not reflect the logical processes of these studies but forms its own fictional and abstracted narrative,” said Shiflet.
Nicole Shiflet has exhibited through out the Mid-Atlantic region. She has exhibited at the Wohfarth Gallery in Washington D.C.; the Clayton Street Gallery in Athens, Georgia; and had a solo exhibition at the Creative Alliance in Baltimore. In 2005 she worked on a collaborative art project and exhibition between UMBC and Fachhochschule Schwäbisch Hall in Germany. As both a traditional tactile painter and technological art geek, Nicole Shiflet constantly searches for ways to balance both aspects of her work. Drawing, painting, animation, and sound recording all inspire further exploration into and around each other. She is currently an adjunct professor of digital media at University of Maryland Baltimore County and Anne Arundel Community College. Nicole was born in Wisconsin, grew up in Georgia, and currently resides in Baltimore.
Since 1971, Theatre Project has been providing a distinct cultural experience for the citizens of Baltimore by presenting new, innovative, and diverse works in the arts. John Fonda Gallery located at Theatre Project is committed to exhibiting the work of emerging artists and new work by recognized artists. The gallery is dedicated to presenting diverse programs that make contemporary art accessible to a broad audience.
The John Fonda Gallery at Theatre Project was dedicated on January 14, 1993 to the memory of John Fonda, who served as curator of the gallery and nurtured Baltimore arts and artists.
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May 13
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excerpt from The Story of Old Fort Johnson:
Many tales are told of that dreadful night, when the unsuspecting inhabitants of the Hill were aroused from their peaceful slumbers to seek safety in flight from the Indians and the equally cruel Tories (whose fiendish natures had been aroused in this cruel partisan war by the example of the Butlers and Johnsons), or to meet a cruel death by tomahawks and scalping knives in the hands of these ruthless marauders. A story is told of the subsequent part of this raid, which was continued up the valley. Having destroyed the residence of Col. Fisher, who was scalped and left for dead, and his two brothers, John and Herman, killed, they proceeded to the house of Adam Fonda, which was pillaged and destroyed, and Mr. Fonda captured. Before the house was burned one of the Tories stole a large and massive copper tea-kettle, which he filled with butter and hid in the water under the bridge near by, expecting to return that way and get it, but the militia gathering in the rear of Sir John Johnson forced him to return by the way of Johnstown. After the war this kettle was found, and returned to the family of Adam Fonda, and is now in possession of the family of his granddaughter, Mrs. John. H. Striker, of Tribes Hill.
The Jelles Fonda Copper Kettle. A Revolutionary Relic.
It was for the purpose of obtaining a photograph of this interesting relic of the times that tried men’s souls that we made our visit to Tribes Hill.
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May 10
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Some interesting information on our Anneke Jans connection…
(connection verified through references in “Dear Cousin”; A Charted Genealogy of the Descendants of Anneke Jans Bogardus (1605-1663) to the 5th Generation“)
This is an e-mail I recently responded to regarding this topic:
MessageOn Fri, 08 May 2009 17:32:02 -0600, <mark@fonda.org> wrote: Hello Ronald, Yes, Fonda vs. Trinity… interesting case. I believe many have tried to latch onto the Anneke Jans estate, but few, if any, have succeeded. There are plenty of stories on the internet about those who have tried, which you have most likely seen. John H. Fonda (1828-1915) and wife Mary tried to stake their claim based on speculation/wishful thinking and fell flat… in fact their lawyer was brought up on fraud charges. I think the Fonda/Trinity case got a lot of notoriety in the newspapers because of the scandal. Funny thing is, according to my research, John was not even a descendant of Anneke Jans. There is a connection to our line from Neeltje E. Briese (1739-1820) who was a g-g-granddaughter of Anneke. Neeltje married Adam Douw Fonda (1736-1808) in 1759, but John’s branch takes off well before that point. I am connected to the famous Fonda’s through this very marriage, about five generation up, but we don’t know each other. So, in other words, both the Hollywood Fonda‘s and my Fonda line are both descended from Anneke Jans, but John H. Fonda‘s line is not. Either way, none of us stand to gain anything from the connection, except maybe bragging rights… ha ha. Regards,  Bogardus Farm on west bank of (now) Manhattan Island On Thu, 07 May 2009 13:55:22 -0400, wrote: > Mark; Some of my daughters clan claim claim their |
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Anneke and HesterSome interesting similarities between Anneke Jans Bogardus (1605-1663) and Hester Jansz Fonda (1615-1690), the wife of Jellis Douw Fonda, our American patriarch:  Anneke Jans in New Amsterdam (1630-1657)
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